Nigerian singer Shallipopi is making waves in the music industry with his viral hit song “Ex Convict” Fans are drawing comparisons between Shallipopi and the renowned street singer and Marlian record boss, Naira Marley. As Shallipopi’s popularity soars, the industry is taking notice.
The Controversial Journey of Shallipopi
Shallipopi’s rise to fame took an unexpected turn when he was arrested by the EFCC (Economic Financial Crime Commission) on alleged fraud charges. Despite the setback, Shallipopi released a new song titled “Ex Convict,” which quickly climbed the charts, currently sitting at number two on Nigeria Apple Music. His ability to turn adversity into artistic expression has captivated audiences.
From Controversy to Chart Success
Shallipopi’s recent release, “Ex Convict,” has garnered attention and sparked discussions. The song follows his arrest by the EFCC on fraud-related charges. Despite the controversy, “Ex Convict” has climbed to number 2 on the Nigerian Apple Music charts, closely behind Asake’s “Lonely At The Top” at number 1.
Fans Share Their Views
Fans have expressed mixed reactions to the comparison between Shallipopi and Naira Marley. While some question the basis of the comparison, others show unwavering support and excitement for Shallipopi’s rise in the industry. The anticipation for what lies ahead is palpable, with fans eagerly awaiting more from this rising star.
Diverse Music Tastes
Opinions among fans vary when it comes to Shallipopi’s music and his comparison to Naira Marley. Some argue that the comparison is unfounded, emphasizing the importance of diverse music tastes. Each artist brings a unique style and appeal to the table, catering to different audiences and preferences.
A Rising Star on the Horizon
As fans await his future releases, one question remains: is the industry truly ready for the emergence of Shallipopi?
Shallipopi’s journey from his viral hit “Elon Musk Boys” to his recent success with “Ex Convict” showcases his potential and rising influence in the Afrobeats genre.
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